Project Books
Michael Bristol and Kathleen McLuskie, ed., with Christopher Holmes, Shakespeare and Modern Theatre: The Performance of Modernity (London: Routledge, 2001).
Wes Folkerth, The Sound of Shakespeare (Routledge 2002);
Edward Pechter, ed., Textual and Theatrical Shakespeare: Questions of Evidence (Iowa City: University of Iowa Press, 1996).
Paul Yachnin and Jessica Slights, ed., Shakespeare and Character: Theory, History, Performance, and Theatrical Persons (London: Palgrave, 2009).
Paul Yachnin, ed., Shakespeare’s World of Words (London: Bloomsbury, Arden Shakespeare, 2015).
Book chapters by faculty, postdoc, and student team members directly related to Shakespeare Team projects
Gefen Bar-On Santor, “Looking for ‘Newtonian’ Laws in Shakespeare: The Mystifying Case of Hamlet,” in Shakespeare and the Eighteenth Century, ed. Peter Sabor and Paul Yachnin (Aldershot: Ashgate, 2008).
André G. Bourassa, “Personnage: History, Philology, Performance,” in Shakespeare and Character.
Michael Bristol and Sara Coodin, “Well-Won Thrift,” in Shakespeare’s World of Words.
Michael Bristol, “Confusing Shakespeare’s Characters with Real People: Reflections on Reading in Four Questions,” in Shakespeare and Character.
______, “How Good Does Evidence Have to Be?” in Textual and Theatrical Shakespeare.
Amanda Cockburn, “Awful Pomp and Endless Diversity: The Sublime Sir John Falstaff,” in Shakespeare and the Eighteenth Century.
Sara Coodin, “What’s Virtue Ethics Got to Do with It? Shakespearean Character as Moral Character,” in Shakespeare and Moral Agency, ed. Michael D. Bristol (London: Continuum, 2010).
Meredith Evans, “To Have and to Hold: Reading Comprehension in Shakespeare,” in Shakespeare’s World of Words.
Leanore Lieblein, “Embodied Intersubjectivity and the Creation of Early Modern Character,” in Shakespeare and Character.
______, “Theatre Archives at the Intersection of Production and Reception: The Example of Quebecois Shakespeare,” in Textual and Theatrical Shakespeare.
John Ripley, “Coriolanus as Tory Propaganda,” in Textual and Theatrical Shakespeare.
Catherine M. Shaw, “Edwin Booth’s Richard II and the Divided Nation,” in Textual and Theatrical Shakespeare/
J. A. Shea, “Recasting ‘Angling’ in The Winter’s Tale,” in Shakespeare’s World of Words.
______ and Paul Yachnin, “The Well-Hung Shrew,” in Ecocritical Shakespeare, ed. Lynne Bruckner and Dan Brayton (Farnham: Ashgate, 2011).
Keira Travis, “Wordplay and the Ethics of Self-Deception in Shakespeare’s Tragedies,” in Shakespeare and Moral Agency, ed. Michael D. Bristol (London: Continuum, 2010).
Sarah Werner, “Women’s work and the performance of Shakespeare at the Royal Shakespeare Company,” in Shakespeare and Modern Theatre: The Performance of Modernity.
Paul Yachnin, “Looking for Richard II,” in Shakespeare and the Eighteenth Century, ed. Peter Sabor and Paul Yachnin (London: Ashgate, 2008).
______, “Sheepishness in The Winter’s Tale,” in How to do Things with Shakespeare, ed. Laurie Maguire (London: Blackwell, 2008).
______ “‘To Kill a King’: The Modern Politics of Bardicide,” in Shakespeare and Modern Theatre.
______ and Myrna Wyatt Selkirk, “Metatheater and the Performance of Character in The Winter’s Tale,” in Shakespeare and Character.
______ and Patrick Neilson, “Slips of Wilderness: Verbal and Gestural Language in Measure for Measure,” in Shakespeare’s World of Words.
Shakespeare and Performance Research Team 