McGill University
Amy Scott
Saba, ‘fair virtue,’ and the Deceptive Analogies of Monumental History in Shakespeare and Fletcher’s Henry VIII, October 1 2021
Hannah Korell
“The Black Dog of Edmonton: Witchcraft as Racecraft in The Witch of Edmonton,” October 29 2021
J.F. Bernard
FAILURES TO FORGET IN SHAKESPEARE, November 22 2021
Paul Yachnin
Beauty herself is Black: The Timefulness of Words and the Responsibilities of Scholarship, February 2 2022
Stephen Wittek, Carnegie Mellon University
COLONIALISM AND CONVERSION IN THE TEMPEST, March 23 2022
Frédérique LeBel
Refuting the Romantics: Ophelia and the Potential for Character Interpretation through Performance, April 20 2022
Marie Trotter
What to Do with Much Ado: Staging Sexual Justice in the #MeToo Era, May 24 2022
Olga Tsygankova
Metempsychosis and the EcoCarnivalesque: The Unfinal “Translations” in A Midsummer Night’s Dream, October 5 2022
J.F. Bernard, Stephen Wittek, Tiffany Hoffman
Decolonial Approaches to The Tempest—A Roundtable Discussion, October 26 2022
Wes Folkerth
Invested in Motley: Intellectual Disability and the Fool’s License in Shakespeare, December 13 2022
Ashley Hards
“Determined to prove a villain” Crime and Ritual Perversion in Richard III, January 17 2023
MONA ABOUSIDOU
THE PROTO-SULTAN FIGURE IN BEN JONSON’S THE ALCHEMIST, February 23 2023
J.F. Bernard
LIFE, DEATH AND ALL THAT: TALKING, THINKING, AND FIGHTING WITH SHAKESPEARE, March 30 2023
Whole team. Short presentations by Michael Bristol, Leanore Lieblein, and Paul Yachnin
Hamlet in Person: Teaching the Problems, June 1 2023
Shakespeare and Performance Research Team 